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Teaching the Great Books

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  1. Introduction

    Teaching the Great Books: Course Introduction (Preview Content)
    4 Topics
    |
    1 Quiz
  2. Lessons
    Lesson 1: What Should We Read? (Preview Content)
    4 Topics
    |
    1 Quiz
  3. Lesson 2: How Should We Read the Classics?
    4 Topics
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    1 Quiz
  4. Lesson 3: How to Do Deep Reading
    5 Topics
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    1 Quiz
  5. Lesson 4: Ancient and Modern Modes of Interpretation
    4 Topics
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    1 Quiz
  6. Lesson 5: How to Teach Great Books—Part I
    4 Topics
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    1 Quiz
  7. Lesson 6: How to Teach Great Books—Part II
    5 Topics
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    1 Quiz
  8. Lesson 7: Classroom Habits and Practices
    4 Topics
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    1 Quiz
  9. Lesson 8: Who Do We Teach?
    4 Topics
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    1 Quiz
  10. Lesson 9: Students Afflicted with Acedia or Ennui
    3 Topics
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    1 Quiz
  11. Lesson 10: Helping Students Overcome Acedia or Ennui
    2 Topics
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    1 Quiz
  12. Lesson 11: Who Is the Teacher?
    2 Topics
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    1 Quiz
  13. Lesson 12: The Unusual, Unpredictable Day
    1 Topic
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    1 Quiz
  14. Lesson 13: How to Test Students
    1 Topic
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    1 Quiz
  15. Lesson 14: How to Begin the School Year
    1 Topic
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    1 Quiz
  16. Class Observations
    Lesson 15: Pre-class Interview for 7th and 10th Grade Classrooms
  17. Lesson 16: Observe a 7th Grade Classroom
    1 Topic
  18. Lesson 17.1: Observe a 10th Grade Classroom (Day 1)
  19. Lesson 17.2: Post-class Interview for 10th Grade Classroom (Day 1)
    1 Topic
  20. Lesson 18.1: Pre-class Interview for 10th Grade Classroom (Day 2)
  21. Lesson 18.2: Observe a 10th Grade Classroom (Day 2)
  22. Lesson 18.3: Post-class Interview for 10th Grade Classroom (Day 2)
    1 Topic
  23. Lesson 19.1: Pre-class Interview for 10th Grade Classroom (Day 3)
  24. Lesson 19.2: Observe 10th Grade Classroom (Day 3)
  25. Lesson 19.3: Post-class Interview for 10th Grade Classroom (Day 3)
    1 Topic
  26. End of Course Test
    End of Course Test: Teaching the Great Books
    1 Quiz
Lesson Progress
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The Isenheim Altarpiece by Matthias Grünewald was made for the Monastery of St. Anthony, at which ill plague victims who often had skin disfigurements and ergotism were cared for. Christ is shown with ergotism and sores, emphasizing that He understands human suffering.

Nota Bene: For an excellent analysis and some fascinating historic information about the Isenheim Altarpiece, check out this article that appeared in Smithsonian Magazine.

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